Fiction
Stephen Halliwell
Search for more papers by this authorStephen Halliwell
Search for more papers by this authorPierre Destrée
Search for more papers by this authorPenelope Murray
Search for more papers by this authorSummary
The concept of fiction has evolved historically and cannot be reduced to stipulative definition. Fiction represents a complex zone of narrative possibilities which cuts across a strict dichotomy of truth and falsehood. Greek awareness of fictionality arises in relation to, but is not fully distinct from, ideas of myth and history. Classical thinkers including Gorgias, Plato, Isocrates, and Aristotle all develop subtly different, and differently motivated, conceptions of fiction. In the post-Classical period, attempts were made – visible in the Latin as well as Greek tradition – to produce typologies of narrative discourse which made room for fiction; but such typologies contained unresolved problems. Longinus, On the Sublime, recognizes the fictionalizing power of creative imagination but nonetheless connects this to the “truth” of the sublime as a transfigurative experience.
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Further Reading
- The most important publication on ancient ideas of fiction is the collection edited by Gill and Wiseman (1993): contributions – stimulatingly diverse in their assumptions – range across matters of literary theory and practice. Pratt (1993) detects elements of fictionality at various levels of Archaic Greek debates over truth and falsehood in poetry. Two substantial but very different approaches to the history of Greek awareness of fiction can be found in Finkelberg (1998) and Lowe (2000a, 2000b): Finkelberg sees “the poetics of fiction” emerging in the fifth century and being fully consolidated in Aristotle's Poetics (see Rutherford 2000 for possible objections); Lowe assigns comedy a decisive role in breaking away from both mythological and historical material. Discussions of Plato which find a consciousness of fictionality in his work include Smith (1985, 27–32) and Janaway (1995; see his index); on the other side are Ferrari (1989) and Gill (1993). Halliwell (2002) pursues multiple connections between concepts of fiction (see the index) and theories of mimesis. Much of the evidence relevant to Hellenistic thinking on the subject, including the diffuse material of the scholia on various authors, is sifted by Meijering (1987, chs II–III); on the Homeric scholia see also Nünlist (2009). Using rather different premises from my own, Konstan (1998) constructs a lineage for Greek fictionality that runs from New Comedy to the novel. Laird (2007) weaves together reflections on ancient and modern ideas of fiction in relation to both literature and philosophy.