Chapter 5
Case Studies
Book Author(s):Carinna Parraman, Maria V. Ortiz Segovia,
Summary
This chapter explores a miscellany of subjects and provides a short historical context, contemporary methods that are now being used, visual cross-overs and comparisons and suggestions for further reading. The case studies demonstrate a survey of printing and reproduction methods used in the past and how many have evolved over time. The chapter also explores the ideas, traditional processes and materials that may have been modified or recycled in response to emerging technologies and trends. The reason for including a case study on wallcovering, is that, like the traditional print, it demonstrates several centuries of provenance, and through print archives and picture books, highlights 2.5dimensional (2.5D) printings as applied design and art form. Advances in 2.5D and three-dimensional (3D) printing also allow the production of accurate three-dimensional physical models. The research also looks to develop accompanying software and data representation to produce a cohesive workflow toward future 2.5D printing technology and its creative applications.
References
- Abrahams, C. (2013) Wallpaper: A Collection of Modern Prints , Quadrille Publishing, London.
- Anderton, R. (2003) The 16th century journeyman printmaker and the invention of multi-colour printing in Europe, in 3rd Impact Multidisciplinary Printmaking Conference , University of Cape Town, South Africa.
- Attwood, P. and Powell, F. (2009) Medals of Dishonour , British Museum Press, London.
- Baxter, W., Wendt, J., and Lin, M.C. (2004) IMPaSTo: a realistic, interactive model for paint, in Proceedings of the 3rd international Symposium on Non-photorealistic Animation and Rendering, ACM, Annecy, France.
- Behr, C. (2010) The symbolic nature of gold in magical and religious contexts, in Staffordshire Hoard Symposium , British Museum.
- Blatner, A., Ferwerda, J.A., and Darling, B. (2011) TangiPaint: A tangible digital painting system,in 19th Color and Imaging Conference, Society for Imaging Science and Technology and Society for Information Display, San José, California.
- Blunt, W. (1994) The Art of Botanical Illustration , Antique Collectors Club, Woodbridge, Suffolk.
- Brusati, C. (1995) Artifice and Illusion: Art and Writing of Samuel Van Hoogstratenby , University of Chicago Press, Chicago, Illinois..
- Cennini, C.D.A. (1954) The Craftsman's Handbook. 'Il Libro dell' Arte'. c.1390, Dover Publications, New York.
- Chen, Z., Kim, B., Ito, D., and Wang, H. (2015) Wetbrush: GPU-based 3D painting simulation at the bristle level. ACM Transactions on Graphics , 34, 1–11.
- Cheok, A.D., Lim, Z.S., and Tan, R.T.K. (2007) Humanistic oriental art created using automated computer processing and non-photorealistic rendering. Computers and Graphics , 31, 280–291.
- Chu, N.S.H. and TAI, C.-L. (2005) Moxi: Real-time ink dispersion in absorbent paper. ACM Transactions on Graphics , 24, 504.
- Clem, P.G. and Bell, N.S. (2013) Inkjet Printing and Other Direct Writing Methods. Chemical Solution Deposition of Functional Oxide Thin Films , Springer, Vienna.
- Cohen, H. (1986) Off the shelf. The Visual Computer , 2, 191–194.
- Colton, S. (2010) Stroke matching for paint dances, in Sixth International Conference on Computational Aesthetics in Graphics, Visualization and Imaging (eds P. Jepp and O. Deussen), 2010,, Eurographics Association , Aire-la-Ville, Switzerland, pp. 67–74.
- Colton, S., Valstar, M.F., and Pantic, M. (2008) Emotionally aware automated portrait painting, in Proceedings of the 3rd International Conference on Digital Interactive Media in Entertainment and Arts , ACM, Athens, Greece.
-
Cook, J.G. (1984a)
Handbook of Textile Fibres: Man-Made Fibres
, Woodhead Publishing.
10.1533/9781855734852 Google Scholar
- Cook, J.G. (1984b) Handbook of Textile Fibres: Natural Fibres , Woodhead Publishing.
- Crawford, W. (1979) The Keepers of Light , Morgan and Morgan, New York.
- Curtis, C.J., Anderson, S.E., Seims, J.E., et al. (1997) Computer-generated watercolor, in Proceedings of the 24th Annual Conference on Computer Graphics and Interactive Techniques , ACM Press/Addison-Wesley Publishing Co.
- Dawson, T.P., Curran, P.J., and Plummer, S.E. (1998) LIBERTY – Modelling the effects of leaf biochemical concentration on reflectance spectra. Remote Sensing of Environment , 65, 50–60.
- Deussen, O., Lindemeier, T., Pirk, S.R. ander Tautzenberg, M. (2012) Feedback-Guided Stroke Placement for a Painting Machine, Computational Aesthetics in Graphics, Visualization, and Imaging.
- Economist (2017) Adidas's high-tech factory brings production back to Germany. The Economist.
- Eriksson, Y. (1998) Tactile Pictures: Pictorial Representations for the Blind, 1784–1940 , Acta Universitatis Gothoburgensis.
- Evans, S. (2011) The Manor Reborn: The Transformation of Avebury Manor , The National Trust, London.
- Fenlon, W. (2014) Nvidia's dynamic super resolution is downsampling made easy. [Online]: pcgamer.com. Available at: http://www.pcgamer.com/2014/09/19/nvidias-dynamic-super-resolution-is-downsampling-made-easy [Accessed 19 November 2015].
- Ferwerda, J.A. (2015) ImpastoR: A Realistic Surface Display System , Vision Research.
- Fores, A., Ferwerda, J., and Gu, J. (2012) Toward a perceptually based metric for BRDF modelling, in 20th Color and Imaging Conference , Los Angeles, USA, November 2012, pp. 142–148.
- Fox Talbot, H.W. (1844) The Pencil of Nature, Longman, Brown, Green and Longmans, London.
- Furferi, R., Governi, L., Vanni, N., and Volpe, Y. (2014a) Tactile 3D bas-relief from single-point perspective paintings: A computer based method. Journal of Information and Computational Science , 11, 5667–5680.
- Furferi, R., Governi, L., Volpe, Y., et al. (2014b) From 2D to 2.5D, i.e. from painting to tactile model. Graphical Models , 76 (6), 706–723.
- Gamble, W. (1897) The Photographic Journal, 21 (6), 6 February 1897, 126–127.
- Ganapol, B.D., Johnson, L.F., Hammer, P.D., et al. (1998) LEAFMOD: A new within-leaf radiative transfer model. Remote Sensing of Environment , 63, 182–193.
- Gatys, L.A., Ecker, A.S., and B, M. (2015) A neural algorithm of artistic style. arXiv [Online]: semanticscholar.org. Available at: https://pdfs.semanticscholar.org/77c5/12cbb832436e1a35ad434e6bb3d763799763.pdf.
- Gnann, A. (2012) Chiaroscuro, in Arts, R.A.O.T. (ed.), Royal Academy of the Arts, London.
- Goethe, J.W. (1970) Theory of Colours (1808) 'Zur Farbenlehre', Massachusetts Institute of Technology, Cambridge.
- Gooch, A.A. and G, B. (1999) Using non-photorealistic rendering to communicate shape . Availableat: https://www.researchgate.net/publication/238765046_8_Using_Non-Photorealistic_Rendering_to_Communicate_Shape.
- Harrod, T. (2015) The Real Thing , Hyphen Press, London.
- Hedge, S., Gatzidid, C., and Tian, F. (2012) Painterly rendering techniques: a state-of-the-art review of current approaches. Computer Animation and Virtual Worlds , 24, 11.
- Hertzmann, A. (1998) Painterly rendering with curved brush strokes of multiple sizes, in Proceedings of the 25th Annual Conference on Computer Graphics and Interactive Techniques , ACM.
- Hertzmann, A. (2002) Stroke-Based Rendering . Recent Advances in NPR for Art and Visualization , SIGGRAPH, p. 31.
- Hertzmann, A. (2003) A survey of stroke-based rendering. IEEE Computer Graphics and Applications, 70–81.
- Hertzmann, A., Interrante, V., and Lum, E. (2002) Stroke-based rendering, recent advances In NPR for art and visualization, course notes for SIGGRAPH 2002. [Online]: http://vis.cs.ucdavis.edu/papers/ranpr2002.p.
- Hoskins, L. (2005) The Papered Wall: History , Pattern, Techniqu, Thames & Hudson, London.
- Huson, D., Hoskins, S., and Thirkell, P. (2005) Photo ceramic relief imaging, in Proceedings of IS&T NIP & Digital Fabrication Conference, 2005, IS&T, pp. 39–42.
- Jacquemoud, S. and Baret, F. (1990) PROSPECT: A model of leaf optical properties spectra. Remote Sensing of Environment , 34, 75–91.
- Jacquemoud, S. and Ustin, S.L. (2001) Leaf optical properties: A state of the art, in CNES 8th International Symposium of Physical Measurements and Signatures in Remote Sensing, pp. 223–332.
- Julesz, B. (1991) Textons, the elements of texture perception and their interactions. Nature , 91–97.
- Kaplan, M., Gooch, B., and C, E. (2000) Interactive artistic rendering, in Proceedings of the 1st International Symposium on Non-photorealistic Animation and Rendering, 2000, ACM Digital Library, Annecy, France, pp. 67–74.
- Karagozler, E., Poupyrev, I., Fedder, G., and Suzuki, Y. (2013) Paper generators: harvesting energy from touching, rubbing and sliding, in 26th Annual ACM Symposium on User Interface Software and Technology , St Andrews, Scotland, ACM.
- Kasao, A. and Miyata, K. (2006) Algorithmic painter: a NPR method to generate various styles of painting. The Visual Computer , 22, 13.
- Kasao, A. and Nakajima, M. (1998) A resolution independent nonrealistic imaging system for artistic use, in Proceedings of the IEEE International Conference on Multimedia Computing and Systems, 1998, Austin, Texas, IEEE, pp. 358–367.
- Klein, S., Simske, S., Adams, G., et al. (2012) 3D printing of transparent glass, in NIP and Digital Fabrication Conference, 2012, pp. 336–337.
- Klein, S., Avery, M.P., Richardson, R.M., et al. (2015) The colour of glass, in NIP and Digital Fabrication Conference, 2015, pp. 89–93.
- Lambert, N. (2003) A Critical Examination of ‘Computer Art’ , DPhil, University of Oxford.
- Lee, J. (2001) Diffusion rendering of black ink paintings using new paper and ink models. Computers and Graphics , 25, 295–308.
- Leung, T. and Malik, J. (2001) Representing and recognising the visual appearance of materials using three-dimensional textons. International Journal of Computer Vision , 43, 29–44.
- Lewis, J.A. (2006) Direct ink writing of 3D functional materials. Advanced Functional Materials , 16, 2193–2204.
- Lindemeier, T., Pirk, S., and Deussen, O. (2013) Image stylization with a painting machine using semantic hints. Computers and Graphics , 37, 293–301.
- Loundon, G. (2015) Object Lessons , Ridinghouse, London.
- Lovejoy, M. (2004) Digital Currents: Art in the Electronic Age , Routledge, London.
- Lu, J., Barnes, C., Diverdi, S., and Fonkelstein, A. (2013) RealBrush: Painting with examples of physical media. SIGGRAPH 2013 (TOG), 32 (4, no.117).
- Maaten, L.J.P., Eric, O., and Postmac, E.O. (2010) Texton-based analysis of paintings, in Applications of Digital Image Processing (ed. A.G. Tescher), vol. XXXIII, SPIE, p. 14.
- MacGregor, N. (2012) A History of the World in 100 Objects, Penguin, London.
- McCallion, P. (2017) The Development of Methods for the Reproduction in Continuous Tone of Digitally Printed Colour Artworks, PhD thesis, University of the West of England, Bristol.
- McCullough, M. (2010) Abstracting craft: The practiced digital hand, in The Craft Reader (ed. G. Adamson), Berg.
- McMillan, W.G. and Pages, - (1890) A Treatise on Electro-metallurgy: Embracing the Application of Electrolysis to the Plating, Depositing, Smelting, and Refining of Various Metals, and to the Reproduction of Printing Surfaces and Art-work, C. Griffin and Company, London.
- Nappi, M. (2013) Drawing w/Digits_Painting w/ Pixels: Selected artworks of the gesture over 50 Years. Leonardo , 46, 163–169.
-
Ning, X., Laga, H., Saito, S., and Nakajima, M. (2011) Contour-driven Sumi-e rendering of real photos
Computers and Graphics, 35, 122–134.
10.1016/j.cag.2010.11.017 Google Scholar
- O'Dowd, P., Hoskins, S., Walters, P., and Geisow, A. (2015) Modulated extrusion for textured 3D printing, in NIP31 International Conference on Digital Printing Technologies, Portland, Oregon, Society for Imaging Science and Technology.
- Okudera, S., Sagawa, K., Nakajima, Y., et al. (2015) Psychological hue circle of blind people and development of a tactile color tag for clothes, in AIC2015 TOKYO Midterm Meeting of the International Colour Association (AIC) (eds Y. Hirohisa, K.Okajima, T. Ishida et al.), Ochanomizu Sola City Conference Center, Tokyo, Japan, International Colour Association (AIC).
- Phong, B.T. (1975) Illumination for computer generated pictures. Graphics and Image Processing , 18, 311–317.
- Ross, M. (2004) Interpreting the new museology. Museum and Society , 2, 84–103.
- Rudolf, D., Mould, D., and Neufeld, E. (2003) Simulating wax crayons, in 11th Pacific Conference onComputer Graphics and Applications, 2003. Proceedings, 8–10 October 2003, pp. 163–172.
- Sayers, M.W. and Karamihas, S.M. (1998) The Little Book of Profiling . Basic Information about Measuring and Interpreting Road Profiles, University of Michigan.
- Sayim, B. and Cavanagh, P. (2011) The art of transparency. i-Perception , 2, 679.
- Seung-Chan, K., Israr, A., and Poupyrev, I. (2013) Tactile rendering of 3D features on touch surfaces, in 26th Annual ACM Symposium on User Interface Software and Technology , St Andrews, Scotland, ACM.
- Sheets, H.M. (2012) Looms with a view . Artnews, 19 September 2012. [Online]: http://www.artnews.com/2012/09/19/looms-with-a-view.
- Stout, K.J. and Blunt, L. (2000) Three Dimensional Surface Topography , Penton Press, Kogan Page, London.
- Stulik, D.C. and Kaplan, A. (2013) The Atlas of Analytical Signatures of Photographic Processes: Cyanotype , The Getty Conservation Institute.
- Thirkell, P. (2004) Altered Images, Making Space Publishers, Isle of Wight.
- Tresset, P. and Fol Leymarie, F. (2013) Portrait drawing by Paul the robot. Computers and Graphics , 37, 348363.
- Ungar, S., Blades, M., and Spencer, C. (1997) Teaching visually impaired children to make distance judgements from a tactile map. Cartographic Perspectives , 28.
- Weaver, M. (1992) Henry Fox Talbot ; Selected Texts and Bibliography, Clio Press Ltd, Oxford.
- Winkenbach, G. and Salesin, D.H. (1994) Computer-generated pen-and-ink illustration, in Proceedings of the 21st Annual Conference on Computer Graphics and Interactive Techniques , ACM.
- Wright, S. and Stratton, J. (2007) On the Way to Literacy , Printing House for the Blind, Louisville.
- Wu, Y.J. (2008) The Effect of Substrate Properties on Print Attributes for Gravure Printing – From Proof to Press , PhD Dissertation, Western Michigan University.
- Xu, S., Tang, M., Lau, F.C.M., and Pana, Y. (2004) Virtual hairy brush for painterly rendering. Graphical Models , 66, 263–302.
- Yamamoto, S., Mao, X., and Imamiya, A. (2004) Colored pencil filter with custom colors, in 12th Pacific Conference on Computer Graphics and Applications, Proceedings, 6–8 October 2004, pp. 329–338.
- Yang, C.-K. and Yang, H.-L. (2008) Realization of Seurat's pointillism via non-photorealistic rendering. The Visual Computer , 24, 303–322.
- Zhang, K. and Yu, J. (2013) Generating abstract paintings in Kandinsky style, in SIGGRAPH Asia 2013 Art Gallery , Hong Kong, ACM, Hong Kong.
- Zhang, X., Chan, K.L., and Constable, M. (2013) Exemplar-based Portrait Photograph Enhancement as informed by Portrait Paintings.
Bibliography and Further Reading
- Ansty (2015) A guide to wallpaper printing, Ansty . [Online]: http://www.anstey.uk.com/files/documents/PDFs/Manufacturing/anstey_print_guide.pdf.
- Avery, M.P., Klein, S., Richardson, R., et al. (2015) Through a glass clearly: the challenge of glass 3D-printing, in Proceedings of the IS&T NIP31 International Conference on Digital Printing Technologies and Digital Fabrication, pp. 280–284.
- Baar, T., Olen, M., Parraman, C., and Ortiz Segovia, M.V. (2015) Woodblock printing as a means for 2.5D and 3D surface evaluation, in AIC Colour 2015, Tokyo, Japan, International Colour Association (AIC), May 2015, pp. 861–866.
- Baar, T. and Ortiz Segovia, M.V. (2013) Colour and texture appearance modelling of 2.5D prints, in 12th Congress of the International Colour Association (AIC) (eds L. Macdonald, S. Westland and S. Wuerger), Newcastle upon Tyne, UK.
- Baar, T., Samadzadegan, S., Brettel, H., et al. (2014) Printing gloss effects in a 2.5D system, in IS&T/SPIE Electronic Imaging, Proceedings of SPIE, Measuring, Modeling, and Reproducing Material Appearance, vol. 9018, p. 90180M-8
- Baar, T., Samadzadegan, S., Urban, P., and Ortiz Segovia, M.V. (2016) Interrelation between gloss and texture perception of 2.5D-printed surfaces in IS&T/SPIE Electronic Imaging, Proceedings of SPIE, Measuring, Modeling, and Reproducing Material Appearance, pp. 1–6.
- Boyé, S., Barla, P., and Guennebaud, G. (2012) A vectorial solver for free-form vector gradients. ACM Transactions on Graphics , 31, 9.
-
Campisi, P., Neri, A., and Scarano, G. (2000) Reduced complexity modelling and reproduction of colored textures.
IEEE Transactions on Image Processing
, 9, 510–518.
10.1109/83.826788 Google Scholar
- Chu, N.S.H. and Tai, C.L. (2002) An efficient brush model for physically-based 3D painting, in Proceedings of the 10th Pacific Conference on Computer Graphics and Applications, pp. 413–421.
- Clouse, D. and Voulangas, A. (2009) The Handy Book of Artistic Printing: A Collection of Letterpress Examples, with Specimens of Type, Ornament, Corner Fills, Borders, Twisters, Wrinklers, and other Freaks of Fancy , Princeton Architectural Press.
- Collomosse, J.P. and Hall, P.M. (2003) Cubist style rendering from photographs, in IEEE Transactions on Visualization and Computer Graphics, 9, 443–453.
- Cook, R.L. and Torrance, K.E. (1982) A reflectance model for computer graphics. ACM Transactions on Graphics , 1, 7–24.
- Cooper, F. (2011) A gift fit for a Pope, 1500 years after its first creation, Birmingham , Jewellery Industry Innovation Centre Report. [Online]: http://www.bcu.ac.uk/cmsproxyimage?path=/_media/docs/frank-cooper-report.pdf.
- Design Boom (2014) A23D 3D-printed letterpress font shown at London Design Festival, Design Boom. [Online]: http://www.designboom.com/technology/a23d-3d-printed-letterpress-font-09-17-2014/#.VBrh0ufniH8.twitter.
- Diverdi, S., Krishnaswamy, A., Mech, R., and Ito, D. (2013) Painting with polygons: a procedural watercolor engine. IEEE Transactions on Visualization and Computer Graphics, 19, 723–735.
- Dong, Y., Tong, X., Pellacini, F., and Guo, B. (2012) Printing spatially-varying reflectance for reproducing HDR images. ACM Transactions on Graphics , 31.
- Dorsey, J. and Rushmeier, H. (2005) Digital modeling of the appearance of materials, ACM SIGGRAPH 2005 Courses.
- Dorsey, J., Rushmeier, H., and Sillion, F. (2010) Digital Modeling of Material Appearance , Morgan Kaufmann, San Francisco.
- Dyer, A.F. (2004) Henry Bradbury's First Nature-Prints of Ferns. Fern Gazette , 17, 18.
- Elisha, D. (2009) Printmaking + Mixed Media , F+W Media, Inc.
- Green, L. (2008) Houses of the National Trust , National Trust Books, London.
-
Haeberli, P. (1990) Paint by numbers: abstract image representations.
SIGGRAPH Computers and Graphics
, 24, 207–214.
10.1145/97880.97902 Google Scholar
- Haller, M. (2004) Photorealism or/and non-photorealism in augmented reality, in Proceedings of the 2004 ACM SIGGRAPH International Conference on Virtual Reality Continuum and Its Applications in Industry, Singapore, ACM.
- Hitchmough, W. (2000) The Arts and Crafts Home , Pavilion Press, London.
- Hodgson, A. (2005) The use of gloss effects from inkjet printing for brand identification, personalisation and security, in Proceedings of the IST International Conference on Digital Production Printing and Industrial Applications, pp. 108–109.
- Hoskins, S. (2007) Water-Based Screenprinting , A&C Black, London.
- Hughes, A.A. and Vernon-Morris, H. (2008) The Printmaking Bible: The Complete Guide to Materials and Techniques , Chronicle Books.
- Inglis, T.C., Inglis, S., and Kaplan, C.S. (2012) Special Section on CANS: Op Art rendering with lines and curves. Computers and Graphics , 36 (6), 607–621.
- Kennedy, J.M. (1993) Drawing and the Blind , Pictures to Touch, Yale University Press, New Haven, Connecticut.
-
Levkowitz, H. (1997)
Color Theory and Modeling for Computer Graphics, Visualization, and Multimedia Applications
, Kluwer Academic, Boston, Massachusetts.
10.1007/b102382 Google Scholar
- Li, J., Yao, L., Hendriks, E., and Wang, J.Z. (2012) Rhythmic brushstrokes distinguish Van Gogh from his contemporaries: findings via automated brushstroke extraction. IEEE Trans. Pattern Anal. Mach. Intell. , 34, 1159–1176.
- Liu, Z. and Zhang, Z. (2011) Face Geometry and Appearance Modeling: Concepts and Applications , Cambridge University Press.
- Martos, A. and Ruiz, B. (2013) Realistic virtual reproductions. Image-based modelling of geometry and appearance. IEEE, 978-1-4799-3170-5/13.
- Moore, T. (1855) The Ferns of Great Britain and Ireland by Thomas Moore and Nature Printed by Henry Bradbury , Bradbury and Evans Whitefriars, London.
- Moorlag, C.P., Zwartz, E.G., Sisler, G., et al. (2013) Method of Controlling Gloss , Patent no. US8615188 B2, published 24 December 2013.
- Murray, J.K. and Cahill, S.E. (1987) Recent advances in understanding the mystery of ancient Chinese ‘Magic Mirrors’. Chinese Science , 8, 1–8.
- Ng, Y.S., Kuo, C.H., Wang, C.J., et al. (2003) Standardization of perceptual based gloss and gloss uniformity for printing systems (INCITS W1.1), in Proceedings of SPIE, Image Quality and System Performance, vol. 5294, pp. 88–93.
-
Ning, X., Laga, H., Saito, S., and Nakajima, M. (2011) Contour-driven Sumi-e rendering of real photos.
Computers and Graphics
, 35, 122–134.
10.1016/j.cag.2010.11.017 Google Scholar
- Obein, G., Knoblauch, K., and Viénot, F. (2004) Difference scaling of gloss: nonlinearity, binocularity, and constancy. Journal of Vision , 4, 711–720.
- Olen, M., Parraman, C., Ortiz Segovia, M.V., et al. (2015) Woodblock, an exploration of alternative computer aided methods for multi-colour woodblock printing, in Impact 9 Multidisciplinary Printmaking Conference , Hangzhou, China, China Arts Academy.
- Parraman, C. (2013) The development of vector based 2.5D print methods for a painting machine, in SPIE and IS&T Color Imaging XVIII: Displaying, Processing, Hardcopy, and Applications (eds R. Eschbach, G.G. Marcu and A. Rizzi).
- Parraman, C. (2014) The material image: Artists approaches to reproducing texture in art, in The Image Knowledge Community, 5th International Conference on the Image , Berlin, Germany.
- Parraman, C., McCallion, P., Cohen, C., and Hoskins, S. (2013) Reproduction of texture in digitally printed artworks, in AIC 12th Congress of the International Colour Association (eds L. Macdonald, S. Westland and S. Wuerger), Newcastle upon Tyne, UK, pp. 577–580.
- Parraman, C., O'Dowd, P., and Harding, M. (2015) Painting by numbers: Transforming fields and edges to vectors, in AIC Colour 2015, Tokyo Midterm Meeting of the International Colour Association, Tokyo, Japan.
- Parraman, C., O'Dowd, P., and Harding, M. (2015) Painting by numbers: The development of texture in digitally printed artworks, in Impact 9 Multidisciplinary Printmaking Conference , Hangzhou, China Arts Academy, China.
- Pavlidis, G., Koutsoudis, A., Arnaoutoglou, F., et al. (2007) Methods for 3D digitization of cultural heritage. Journal of Cultural Heritage , 8.
-
Pellacini, F., Ferwerda, J.A., and Greenberg, D.P. (2000) Toward a psychophysically-based light reflection model for image synthesis, in
Proceedings of the 27th Annual Conference on Computer Graphics and Interactive Techniques
, 55–64.
10.1145/344779.344812 Google Scholar
- Pieraccini, M., Guidi, G., and Atzeni, C. (2001) 3D digitizing of cultural heritage. Journal of Cultural Heritage , 2.
- Pierce Lhotka, B. (2011) Digital Alchemy: Printmaking Techniques for Fine Art, Photography, and Mixed Media , New Riders.
-
Rosin, P.L. and Lai, Y.K. (2013) Artistic minimal rendering with lines and blocks.
Graphical Models
, 75, 208–229.
10.1016/j.gmod.2013.03.004 Google Scholar
- Sansoni, G., Trebeschi, M., and Docchio, F. (2009) State-of-the-art and applications of 3D imaging sensors in industry, cultural heritage, medicine, and criminal investigation. Sensors , 9.
- Sattler, M., Sarlette, R., and Klein, R. (2003) Efficient and realistic visualization of cloth, in Eurographics Symposium on Rendering.
- Shoup, R. (2001) SuperPaint: An early frame buffer graphics system. IEEE Annals of the History of Computing , 1058–6180, 5.
- Takano, R., Baba, K., Inoue, S., et al. (2012) Reproduction of gloss unevenness on printed paper by reflection model with consideration of mesoscopic facet, in IS&T Proceedings of 20th Color and Imaging Conference, pp. 206–210 (5).
- Thompson, F., Wicks, G., and Crawford, G. (2015) Porous-wall hollow glass microspheres for security printing applications, in Proceedings of IS&T NIP31 International Conference on Digital Printing Technologies and Digital Fabrication, pp. 391–394.
- Thornton, P. (1984) Authentic Decor: The Domestic Interior 1620–1920 , Seven Dials Press, London.
- Walters, P. (2008) Richard Hamilton – art, technology and a medal designed for dishonour, CFPR. [Online]: http://www.uwe.ac.uk/sca/research/cfpr/research/3D/Artists/hamilton/Hamilton_v4.pdf.
- Walters, P., Huson, D., Parraman, C., and Stanic, M. (2009) 3D printing in colour: Technical evaluation and creative applications, in 6th Impact International Multidisciplinary Printmaking Conference , Bristol.
- Walters, P. and Thirkell, P. (2007) New technologies for 3D realization in art and design practice. Artifact , 1, 232–245.
- Wang, J., Allebach, J. P., and Ortiz Segovia, M.V. (2014) Semantically-based 2.5D texture printing,in IEEE International Conference on Image Processing (ICIP), p. 4.
- Warr, M. (2003) Créer Textures et Effets de Matière , Eyrolles.
- Weyrich, T., Peers, P., Matusik, W., and Rusinkiewicz, S. (2009) Fabricating microgeometry for custom surface reflectance. ACM Transactions on Graphics, SIGGRAPH , 28 (32), 1–6.
- White, M.A. and LeBlanc, M. (1999) Thermochromism in commercial products. Journal of Chemistry Education , 76, 1201–1205.
- Wijntjes, M.W.A. and Pont, S.C. (2010) Illusory gloss on Lambertian surfaces. Journal of Vision , 10, 13.
- Wu, H., Dorsey, J., and Rushmeier, H. (2011) Physically-based interactive bi-scale material design. ACM Transactions on Graphics , 30.
- Wu, H., Dorsey, J., and Rushmeier, H. (2013) Inverse bi-scale material design, ACM Transactions on Graphics, SIGGRAPH Asia , 32.
- Yakovlev, A.V., Milichko, V.A., Vinogradov, V.V., and Vinogradov, A.V. (2016) Inkjet color printing by interference nanostructures. ACS Nano , 10, 3078–3086.
- Zhao, S., Hasan, M., Ramamoorthi, R., and Bala, K. (2013) Modular flux transfer: efficient rendering of high-resolution volumes with repeated structures. ACM Transactions on Graphics (TOG), 32 (4, no.131).
- Zhao, S., Jakob, W., Marschner, S., and Bala, K. (2012) Structure-aware synthesis for predictive woven fabric appearance. ACM Transactions on Graphics (TOG), 31 (4, no. 75).
